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- <text id=93TT1870>
- <title>
- June 14, 1993: Reviews:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jun. 14, 1993 The Pill That Changes Everything
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 72
- Sweet Nothings
- </hdr>
- <body>
- <p>By RICHARD SCHICKEL
- </p>
- <qt>
- <l>TITLE: Made In America</l>
- <l>DIRECTOR: Richard Benjamin</l>
- <l>WRITER: Holly Goldberg Sloan</l>
- </qt>
- <p> THE BOTTOM LINE: An easygoing mainstream comedy solves contemporary
- racial and sexual issues too comfortably.
- </p>
- <p> She's a celibate single mom; he's a shiftless stud, currently
- shacked up with a dimwitted aerobics instructor. She's the owner
- of an Oakland, California, bookshop specializing in black studies;
- he's the proprietor of, and TV pitchman for, a car dealership.
- She wears authentic African garments to work and rides a bicycle
- everywhere; he favors inauthentic cowboy duds and hogs the road
- in a four-by-four. Oh, yes, she's black, and he's white.
- </p>
- <p> But Made in America sees this, the most obvious difference between
- Sarah Mathews (Whoopi Goldberg) and Hal Jackson (Ted Danson),
- as the least of their problems. It's not so much the discovery
- that, because of a mix-up at a sperm bank, Hal may be the father
- of her child that sends Sarah into orbit. It's the notion that
- after he is identified and tracked down, this particular white
- man, so trashy, so hopelessly incorrect politically and socially,
- could have provided half the genetic material for her talented,
- pretty daughter Zora (Nia Long).
- </p>
- <p> It's hard to think of a more widely appealing comic strategy
- than this. By banishing the issue of racial conflict, the movie
- remakes the world as every person of goodwill wishes it really
- were. And by making all the conflicts between Sarah and Hal
- purely cultural and therefore subject to good-humored behavioral
- modification, the movie implies that everything else dividing
- us today can be worked out with equal simplicity.
- </p>
- <p> It appears to be Goldberg's mission in life to redeem improbable
- situations. It's what she did so profitably last summer in Sister
- Act, and she's awfully good at it. There's something about her--a gritty, down-to-earth straightforwardness--that tends
- to promise some realization of our wan hopes that potentially
- explosive circumstances can be defused--at least for the running
- time of a movie.
- </p>
- <p> Of course, it helps if the picture contains plenty of distracting
- farce and an equal measure of disarming sentimentality. It helps
- too if you can partner Goldberg with someone as agreeable and
- unthreatening as Danson, if you can find a director as comically
- inventive as Richard Benjamin, and if you can figure out a way
- to cast Will Smith. He plays Zora's best friend, Tea Cake, and
- his marvelously freewheeling choral effects--a muttered aside
- here, a strangled warning there--give the movie a waywardness
- it desperately needs.
- </p>
- <p> For Made in America is basically one long evasive action, a
- nice little entertainment designed to whisper sweet nothings
- in our ear about two very edgy matters, race and sex. Because
- it's so comforting, it will probably make a ton of money. But
- bitter truth--anyway an occasional touch of it--can be funny
- too and, these days, quite useful.
- </p>
-
- </body>
- </article>
- </text>
-
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